Review by Chris Heide

Six is an electrifying celebration of history, told through the voices of the six wives of Henry VIII. Blending pop, rock, and musical theatre, the show brings the women’s stories to life with fierce energy and empowerment. The choreography is a standout feature, with high-energy routines that combine sharp, synchronized movements with bold, modern flair, mirroring the individuality of each wife.

From dramatic solo performances to intricate ensemble numbers, the cast delivers vocal performances that are both technically impressive and emotionally charged. Each wife has her own distinct vocal style and the harmonies are tight, showcasing the cast’s extraordinary vocal range. Together, the choreography and vocals elevate the story into a dynamic, unforgettable theatrical experience.

One of the most enjoyable aspects of the show is the theatricality and musicality. The six wives embody musical styles reminiscent of many pop divas including Ariana Grande, Lady Gaga, Beyonce, Adele, and more. The show often breaks the fourth wall, which is refreshing for a Broadway show. The engagement with the audience is palpable- the show is truly reminiscent of an actual live concert. The audience surely responds to that energy and engagement- with thunderous applause after each of the women’s solo performances

The show is also unusual in that it is a tight 80 minutes, without any intermission. It is one dazzling set, with all of the women on stage for the entirety of the show, aside from quick costume changes. There is no filler, no lagging performances, no dragging plot. It is honestly a gold standard that other shows would be smart to follow. Often, more plots do not equate to a better show. Every joke, song, line of dialogue is intentional and propels the fast-paced plot at a vigorous pace. I left the theatre feeling artistically fulfilled as an audience member and critic. Six is one of the best musicals out there- underrated and a critical and commercial darling.